{"id":832,"date":"2025-12-07T12:33:32","date_gmt":"2025-12-07T18:33:32","guid":{"rendered":"https:\/\/nassaubaymusiclessons.com\/?p=832"},"modified":"2025-12-07T12:33:32","modified_gmt":"2025-12-07T18:33:32","slug":"steve-cropper-guitarist-songwriter-and-shaper-of-memphis-soul-music-dies-at-84","status":"publish","type":"post","link":"https:\/\/nassaubaymusiclessons.com\/?p=832","title":{"rendered":"Steve Cropper, Guitarist, Songwriter and Shaper of Memphis Soul Music, Dies at 84"},"content":{"rendered":"<div id=\"app\">\n<div>\n<div>\n<div class=\"vi-gateway-container\" data-testid=\"vi-gateway-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"fullBleedHeaderContent\">\n<header class=\"css-1koywcz e3rgvcb0\">\n<div class=\"css-4zd7u9\">\n<div data-testid=\"imageblock-wrapper\">\n<figure class=\"css-15t9y93 sizeFull layoutVertical\" role=\"group\" aria-label=\"media\">\n<div class=\"css-18h6vyh\" data-testid=\"imageContainer-children-Image\"><picture><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"css-mm25ji\" src=\"https:\/\/i0.wp.com\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper\/03cropper-articleLarge.jpg?resize=525%2C750&#038;ssl=1\" sizes=\"auto, 100vw\" srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper\/03cropper-articleLarge.jpg?quality=75&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper\/03cropper-jumbo.jpg?quality=75&amp;auto=webp 717w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper\/03cropper-superJumbo.jpg?quality=75&amp;auto=webp 1434w\" alt=\"A young Steve Cropper, with long, dark hair and a brown bear, wearing a print shirt and light-colored pants, sits holding a guitar and looking into the distance.\" width=\"525\" height=\"750\" \/><\/picture><\/div><figcaption class=\"css-ktho12 e3rygrp0\" data-testid=\"photoviewer-children-ImageCaption\"><span class=\"css-jevhma e13ogyst0\">Steve Cropper in 1973. His guitar licks could be heard in hits by Otis Redding, Sam &amp; Dave and Wilson Pickett, among many others.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"kyt-mdd4r\">Credit&#8230;<\/span><span aria-hidden=\"false\">David Reed Archive\/Alamy<\/span><\/span><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/header>\n<\/div>\n<header class=\"css-1koywcz e3rgvcb0\">\n<div class=\"css-1xqucq6\">\n<div class=\"css-1wa877r\">\n<div>\n<p class=\"css-178vgup e1wiw3jv0\">As a member of Booker T. &amp; the MG\u2019s and as a producer, he played a pivotal role in the rise of Stax Records, a storied force in R&amp;B in the 1960s and \u201970s.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"css-1wx1auc e89cr9k1\">\n<div class=\"css-1mc46rn\">\n<div class=\"css-1von7hd\">\n<div class=\"css-b8gc4a\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"fullBleedHeaderContent\">\n<div class=\"css-1wx1auc e89cr9k1\">\n<div class=\"css-p6m5rf\">\n<div class=\"byline-container css-1e2jphy epjyd6m2\">\n<div class=\"css-233int epjyd6m1\">\n<p class=\"css-4anu6l e1jsehar1\"><span class=\"byline-prefix\">By <\/span><span class=\"css-1baulvz last-byline\">Bill Friskics-Warren<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<section class=\"meteredContent css-6wov7h\">\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-0\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">Steve Cropper, the prodigious guitarist, songwriter and producer who played a pivotal role in shaping the lean gutbucket soul music made at Memphis\u2019s Stax Records in the 1960s and \u201970s, died on Wednesday in Nashville. He was 84.<\/p>\n<p class=\"css-ac37hb evys1bk0\">His death, at a rehabilitation facility, was confirmed by his wife, Angel Cropper, who did not specify the cause.<\/p>\n<p class=\"css-ac37hb evys1bk0\">As a member of Booker T. &amp; the MG\u2019s, the house rhythm section at Stax, Mr. Cropper played the snarling Fender Telecaster lick on \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.youtube.com\/watch?v=0oox9bJaGJ8\" target=\"_blank\" rel=\"noopener noreferrer\">Green Onions<\/a>,\u201d the funky hit instrumental by the MG\u2019s from 1962. He also contributed the ringing guitar figure that opened Sam &amp; Dave\u2019s gospel-steeped \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.youtube.com\/watch?v=S_OX2HwWy-o\" target=\"_blank\" rel=\"noopener noreferrer\">Soul Man<\/a>,\u201d the 1966 single on which the singer <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/2025\/01\/10\/arts\/music\/sam-moore-dead.html\">Sam Moore<\/a> shouted, \u201cPlay it, Steve!\u201d to cue Mr. Cropper\u2019s stinging single-string solo on the chorus. Both records were Top 10 pop hits and reached No. 1 on the R&amp;B chart.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div data-testid=\"ImageBlock-1\">\n<div data-testid=\"imageblock-wrapper\">\n<figure class=\"img-sz-medium css-d754w4 e1g7ppur0\" role=\"group\" aria-label=\"media\">\n<div class=\"css-1xdhyk6 erfvjey0\" data-testid=\"photoviewer-children-figure\"><picture><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1800\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 3),(max-width: 599px) and (min-resolution: 3dppx),(max-width: 599px) and (min-resolution: 288dpi)\" \/><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1200\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)\" \/><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=600\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)\" \/><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"css-r3fift\" src=\"https:\/\/i0.wp.com\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-articleLarge.jpg?resize=525%2C418&#038;ssl=1\" sizes=\"auto, ((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 60vw, 100vw\" srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-articleLarge.jpg?quality=75&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-jumbo.jpg?quality=75&amp;auto=webp 1024w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/multimedia\/03cropper-kltg\/03cropper-kltg-superJumbo.jpg?quality=75&amp;auto=webp 2048w\" alt=\"A black-and-white photo of four young men wearing suits and dark, skinny ties, gathered around a keyboard.\" width=\"525\" height=\"418\" \/><\/picture><\/div><figcaption class=\"css-gbc9ki ewdxa0s0\" data-testid=\"photoviewer-children-caption\"><span class=\"css-jevhma e13ogyst0\">Mr. Cropper, second from left, in an undated photo with members of Booker T. and the MG\u2019s: from left, Booker T. Jones, Al Jackson Jr. and Lewie Steinberg.<\/span><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-1\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">Mr. Cropper had an innate feel for a groove as well as a penchant for feeling over flash \u2014 gifts evident in his bell-toned guitar work on Otis Redding\u2019s \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.youtube.com\/watch?v=AN5RyeUzsso\" target=\"_blank\" rel=\"noopener noreferrer\">(Sittin\u2019 on) The Dock of the Bay<\/a>.\u201d In 2015, he was ranked 39th on Rolling Stone\u2019s list of the 100 greatest guitarists of all time. Britain\u2019s Mojo magazine slotted him second, behind only Jimi Hendrix, on a similar list of guitarists published in 1996.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div data-testid=\"Dropzone-3\">\n<div class=\"css-8atqhb\" data-testid=\"emptyDropzone\"><\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-2\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">\u201cI\u2019ve always thought of myself as a rhythm player,\u201d Mr. Cropper said in an interview with Guitar.com in 2021. \u201cI get off on the fact that I can play something over and over and over, while other guitar players don\u2019t want to even know about that. They won\u2019t even play the same riff or the same lick twice.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">Mr. Cropper was also a prolific songwriter. His credits, typically as a co-writer, include the epoch-defining likes of \u201cDock of the Bay,\u201d Wilson Pickett\u2019s \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.youtube.com\/watch?v=T2c6dGD2n3g\" target=\"_blank\" rel=\"noopener noreferrer\">In the Midnight Hour<\/a>\u201d and Eddie Floyd\u2019s \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.youtube.com\/watch?v=0YI9cTmdaSU\" target=\"_blank\" rel=\"noopener noreferrer\">Knock on Wood<\/a>.\u201d All three were No. 1 R&amp;B singles. Mr. Redding\u2019s record topped the pop chart as well, and won Grammy Awards for best R&amp;B song and best male R&amp;B vocal performance in 1969.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div data-testid=\"RelatedLinksBlock-5\">\n<div class=\"related-links-block css-z0eu1t epkadsg3\">\n<div class=\"css-1xdhyk6 epkadsg2\">\n<div class=\"css-8dhyd3 e16ij5yr7\">\n<div class=\"css-1pksd7f e16ij5yr0\"><img class=\"css-1p6jru7 e16ij5yr1\" sizes=\"(max-width:740px) 150px\" srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/04\/arts\/04cul-cropper-playlist\/04cul-cropper-playlist-thumbLarge.jpg 150w, https:\/\/static01.nyt.com\/images\/2025\/12\/04\/arts\/04cul-cropper-playlist\/04cul-cropper-playlist-threeByTwoSmallAt2X.jpg\" \/><\/div>\n<div class=\"css-1l19kgc e16ij5yr5\">\n<div class=\"css-8zgeuh e16ij5yr3\"><\/div>\n<div class=\"css-kx0gap e16638kd1\">Dec. 4, 2025<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-3\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">In charge of artists and repertoire at Stax during the 1960s, Mr. Cropper produced the recordings of many of the songs he had a hand in writing. His website states that he was \u201cinvolved in virtually every record issued by Stax from the fall of 1961 through year end 1970.\u201d Judging by the testimony of the Stax co-founder <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/2022\/12\/08\/arts\/music\/jim-stewart-dead.html\">Jim Stewart<\/a>, it is not hard to imagine that this was the case.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div data-testid=\"Dropzone-7\">\n<div class=\"css-8atqhb\" data-testid=\"emptyDropzone\"><\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-4\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">\u201cSteve was my right-hand man,\u201d Mr. Stewart said of Mr. Cropper\u2019s contributions to the label\u2019s legacy in Peter Guralnick\u2019s 1986 book, \u201cSweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom.\u201d \u201cHe would come to the studio and sit there and keep the doors open and take care of business; he was disciplined and responsible. Steve was the key.\u201d<\/p>\n<div id=\"NYT_MAIN_CONTENT_1_REGION\" class=\"css-9tf9ac\" data-testid=\"region\">\n<div>\n<div>\n<div>\n<div class=\"css-l5f4hl\" data-slug=\"trust-obituaries-explainer\">\n<div class=\"css-uy9xo2\">In the process, Mr. Cropper helped reimagine the Southern soul music of the era, imbuing it with a simultaneously urban and down-home feel \u2014 a bluesy mix of sinew and grit that was instantly recognizable over the radio airwaves. Widely sampled, the records he played on or produced influenced subsequent generations of musicians, especially in hip-hop and R&amp;B.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"css-ac37hb evys1bk0\">Mr. Cropper achieved further acclaim in the late 1970s for his work with the Blues Brothers, the musical side project of the \u201cSaturday Night Live\u201d co-stars <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/1982\/03\/06\/obituaries\/john-belushi-manic-comic-of-tv-and-films-dies.html\">John Belushi<\/a> and Dan Aykroyd. By then, Stax had closed, having fallen into insolvency in 1975, and Mr. Cropper had begun immersing himself in freelance session and production work with artists like Art Garfunkel and Ringo Starr.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\">\n<div id=\"c-col-editors-picks\" class=\"css-lze5f4\"><\/div>\n<\/aside>\n<\/div>\n<div data-testid=\"ImageBlock-9\">\n<div data-testid=\"imageblock-wrapper\">\n<figure class=\"img-sz-medium css-d754w4 e1g7ppur0\" role=\"group\" aria-label=\"media\">\n<div class=\"css-1xdhyk6 erfvjey0\" data-testid=\"photoviewer-children-figure\">\n<div class=\"css-nwd8t8\" data-testid=\"lazy-image\">\n<div data-testid=\"lazyimage-container\"><picture class=\"css-1j5kxti\"><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1800\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 3),(max-width: 599px) and (min-resolution: 3dppx),(max-width: 599px) and (min-resolution: 288dpi)\" \/><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1200\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)\" \/><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=600\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)\" \/><img data-recalc-dims=\"1\" decoding=\"async\" class=\"css-1m50asq\" src=\"https:\/\/i0.wp.com\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-articleLarge.jpg?w=525&#038;ssl=1\" sizes=\"((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 60vw, 100vw\" srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-articleLarge.jpg?quality=75&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-jumbo.jpg?quality=75&amp;auto=webp 1024w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_2\/03cropper_2-superJumbo.jpg?quality=75&amp;auto=webp 2048w\" alt=\"A black-and-white photo of a young Steve Cropper, with long dark hair and a beard, on stage between John Belushi and Dan Aykroyd, wearing dark suits and ties. All three are wearing dark glasses.\" \/><\/picture><\/div>\n<\/div>\n<\/div><figcaption class=\"css-gbc9ki ewdxa0s0\" data-testid=\"photoviewer-children-caption\"><span class=\"css-jevhma e13ogyst0\">Mr. Cropper performing with John Belushi, left, and Dan Aykroyd at the Palladium in New York City in 1980.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"kyt-mdd4r\">Credit&#8230;<\/span><span aria-hidden=\"false\">Ebet Roberts\/Redferns, via Getty Images<\/span><\/span><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-5\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">\u201cBriefcase Full of Blues,\u201d the Blues Brothers\u2019 first album, included a remake of \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.youtube.com\/watch?v=FTWH1Fdkjow\" target=\"_blank\" rel=\"noopener noreferrer\">Soul Man<\/a>,\u201d complete with a reprise of the shout \u201cPlay it, Steve!\u201d from Mr. Belushi on the chorus. The single reached No. 14 on the pop chart in 1979, anticipating the release of the 1980 movie \u201c<a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/1980\/06\/20\/archives\/blues-brothersbelushi-and-aykroyd.html\">The Blues Brothers<\/a>,\u201d starring Mr. Belushi and Mr. Aykroyd and featuring Mr. Cropper as Steve \u201cthe Colonel\u201d Cropper, who plays in a band called Murph and the Magic Tones. (Born of Mr. Cropper\u2019s tendency to take charge of situations, the Colonel was a childhood nickname that stuck with him even after he established himself as a musician.)<\/p>\n<p class=\"css-ac37hb evys1bk0\">Steven Lee Cropper was born on Oct. 21, 1941, on a farm near Dora, Mo., near the Arkansas border. He was the only child of Hollis and Grace (Atkins) Cropper. His father was a special agent for the St. Louis-San Francisco Railway, and his mother was a schoolteacher.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div data-testid=\"Dropzone-11\">\n<div class=\"css-8atqhb\" data-testid=\"emptyDropzone\"><\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-6\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">Steve was exposed to country music early, but was introduced to gospel and rhythm and blues only after moving to Memphis with his parents at age 9. He bought his first guitar, by mail order, at 14.<\/p>\n<p class=\"css-ac37hb evys1bk0\">His earliest musical influences were stylistically diverse, among them the country guitarist <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/2001\/07\/01\/us\/chet-atkins-77-dead-guitarist-producer-was-architect-nashville-sound.html\">Chet Atkins<\/a>, the jazz guitarist <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/1998\/07\/28\/arts\/tal-farlow-77-jazz-guitarist-rooted-in-bop.html\">Tal Farlow<\/a>, the bluesman Jimmy Reed, and Lowman Pauling of the influential R&amp;B quintet the \u201c5\u201d Royales. (In 2011, he paid tribute to Mr. Pauling\u2019s transfixing fretwork with \u201cDedicated: A Salute to the 5 Royales,\u201d an album featuring singers like Bettye LaVette and Lucinda Williams performing versions of the group\u2019s recordings.)<\/p>\n<p class=\"css-ac37hb evys1bk0\">As a teenager, Mr. Cropper and several schoolmates, including the future MG\u2019s bassist Donald \u201cDuck\u201d Dunn, formed a band called the Royal Spades. After changing their name to the Mar-Keys in 1961, they had a Top 10 pop hit with the slinky instrumental \u201cLast Night.\u201d Mr. Cropper had by that point also done session work in Memphis for Sun Records and Hi Records.<\/p>\n<p class=\"css-ac37hb evys1bk0\">In 1962, while Mr. Cropper and the MG\u2019s were jamming between sessions at Stax, Mr. Stewart, impressed by the riffing, organ-driven blues he heard, surreptitiously captured the quartet\u2019s playing on tape. \u201cGreen Onions\u201d was the result.<\/p>\n<p class=\"css-ac37hb evys1bk0\">Booker T. &amp; the MG\u2019s \u2014 the organist Booker T. Jones served as the ensemble\u2019s leader \u2014 served as the rhythm section at Stax for nine years. Its members also included Al Jackson Jr. on drums and Lewie Steinberg on bass. Mr. Dunn replaced Mr. Steinberg in 1965.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div class=\"css-cfo9c3\" data-testid=\"lazy-load-wrapper-{&quot;bottom&quot;:-500}\"><\/div>\n<div data-testid=\"Dropzone-14\">\n<div class=\"css-8atqhb\" data-testid=\"emptyDropzone\"><\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-7\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">The original MG\u2019s lineup, with both Black and white members (Mr. Cropper was white), helped integrate Stax at a time when the four men would not have been permitted to appear on a public bandstand together in the segregated South.<\/p>\n<p class=\"css-ac37hb evys1bk0\">The MG\u2019s had six Top 40 pop hits for Stax, two of which, \u201cHang \u2019Em High\u201d and \u201cTime Is Tight,\u201d were featured on movie soundtracks. Many of their recordings were sampled by hip-hop artists, from Roxanne Shante to Raekwon of the Wu-Tang Clan. According to the website WhoSampled, more than two dozen acts have interpolated into their recordings passages from the MG\u2019s 1971 album, \u201cMelting Pot.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">In 1970, having released two albums of his own (the second was a collaboration with the guitarists Pops Staples and Albert King), Mr. Cropper left Stax in a dispute over how the label\u2019s new co-owner, Al Bell, was managing things. (\u201cMelting Pot\u201d was recorded before his departure.)<\/p>\n<p class=\"css-ac37hb evys1bk0\">After opening his own studio in Memphis, Mr. Cropper moved to Los Angeles in 1975, doing session work for John Lennon and <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/2016\/11\/14\/arts\/music\/leon-russell-hit-maker-and-musicians-musician-dies-at-74.html\">Leon Russell<\/a> before joining <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/www.nytimes.com\/2012\/04\/20\/arts\/music\/levon-helm-drummer-and-singer-dies-at-71.html\">Levon Helm<\/a> &amp; the RCO All-Stars. From there, he and Mr. Dunn were recruited to play in the Blues Brothers, an affiliation that led to multiple tours and recordings, including appearances in a 1998 movie sequel, \u201cBlues Brothers 2000.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">Booker T. &amp; the MG\u2019s were inducted into the Rock &amp; Roll Hall of Fame in 1992. \u201cCruisin\u2019,\u201d a track from their 1994 reunion album, \u201cThat\u2019s the Way It Should Be,\u201d won a Grammy for best pop instrumental performance.<\/p>\n<p class=\"css-ac37hb evys1bk0\">In the 2000s, Mr. Cropper released the first of the two albums he made with the former Rascals singer Felix Cavaliere and worked on records by the Pixies frontman Frank Black. He was elected to the Songwriters Hall of Fame in 2005. He also appeared in <a class=\"css-yywogo\" title=\"\" href=\"https:\/\/staxrecords.com\/news\/hbo-docuseries-stax-soulsville-usa-nominated-for-two-emmy-awards\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cStax: Soulsville, U.S.A.,\u201d<\/a> an acclaimed HBO docuseries in 2024.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div data-testid=\"Dropzone-16\">\n<div class=\"css-8atqhb\" data-testid=\"emptyDropzone\"><\/div>\n<\/div>\n<div data-testid=\"ImageBlock-17\">\n<div data-testid=\"imageblock-wrapper\">\n<figure class=\"img-sz-large css-hxpw2c e1g7ppur0\" role=\"group\" aria-label=\"media\">\n<div class=\"css-1xdhyk6 erfvjey0\" data-testid=\"photoviewer-children-figure\"><span class=\"kyt-mdd4r\">Image<\/span><\/p>\n<div class=\"css-nwd8t8\" data-testid=\"lazy-image\">\n<div data-testid=\"lazyimage-container\"><picture class=\"css-1j5kxti\"><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1800\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 3),(max-width: 599px) and (min-resolution: 3dppx),(max-width: 599px) and (min-resolution: 288dpi)\" \/><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1200\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)\" \/><source srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=600\" media=\"(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)\" \/><img data-recalc-dims=\"1\" decoding=\"async\" class=\"css-1m50asq\" src=\"https:\/\/i0.wp.com\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-articleLarge.jpg?w=525&#038;ssl=1\" sizes=\"((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 80vw, 100vw\" srcset=\"https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-articleLarge.jpg?quality=75&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-jumbo.jpg?quality=75&amp;auto=webp 1024w,https:\/\/static01.nyt.com\/images\/2025\/12\/03\/obituaries\/03cropper_4\/03cropper_4-superJumbo.jpg?quality=75&amp;auto=webp 2048w\" alt=\"An older Steve Cropper with thinning white hair and a thin, white beard, performing onstage with a guitar, in front of two other men, on a guitar and drums.\" \/><\/picture><\/div>\n<\/div>\n<\/div><figcaption class=\"css-1g9ic6e ewdxa0s0\" data-testid=\"photoviewer-children-caption\"><span class=\"css-jevhma e13ogyst0\">Mr. Cropper in 2015 performing at the Torino Jazz Festival in Turin, Italy. He was elected to the Songwriters Hall of Fame in 2005.<\/span><span class=\"css-14fe1uy e1z0qqy90\"><span class=\"kyt-mdd4r\">Credit&#8230;<\/span><span aria-hidden=\"false\">Stefano Guidi\/Corbis, via Getty Images<\/span><\/span><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-8\">\n<div class=\"css-53u6y8\">\n<p class=\"css-ac37hb evys1bk0\">Mr. Cropper\u2019s first marriage, to Betty Grooms, ended in divorce. In 1988, he married Angel Hightower. In addition to his wife, he is survived by two children from his first marriage, Stephen and Ashley Cropper; and two children from his second marriage, Cameron Cropper and Andrea Cropper-Register.<\/p>\n<p class=\"css-ac37hb evys1bk0\">Mr. Cropper\u2019s affiliation with the Blues Brothers spanned four decades. But back in 1978, when he and Mr. Dunn first joined the band, skeptics failed to understand why they would want to collaborate with the two comedians from \u201cSaturday Night Live.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">\u201cWe got a lot of flak \u2014 Duck and I did \u2014 about playing with those guys,\u201d Mr. Cropper told Guitar.com. \u201cFolks said, \u2018What are you guys doing with these two clowns from S.N.L.?\u2019\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">\u201cBut those guys were great musicians,\u201d he went on. \u201cJohn Belushi had played drums in a band for years before he ever went to Second City,\u201d the Chicago improv comedy troupe. \u201cAnd Ackroyd is actually playing the harmonica on everything we did.\u201d<\/p>\n<\/div>\n<\/div>\n<div class=\"css-s99gbd StoryBodyCompanionColumn\" data-testid=\"companionColumn-9\">\n<div class=\"css-53u6y8\">\n<p class=\"css-798hid etfikam0\">Ash Wu and Stella Raine Chu contributed reporting and Kirsten Noyes contributed research.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<\/section>\n<div class=\"bottom-of-article\">\n<div class=\"css-5dm9xx\"><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Cropper in 1973. His guitar licks could be heard in hits by Otis Redding, Sam &amp; Dave and Wilson Pickett, among many others.Credit&#8230;David Reed Archive\/Alamy As a member of Booker T. &amp; the MG\u2019s and as a producer, he played a pivotal role in the rise of Stax Records, a storied force in R&amp;B &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/nassaubaymusiclessons.com\/?p=832\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Steve Cropper, Guitarist, Songwriter and Shaper of Memphis Soul Music, Dies at 84&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,11],"tags":[],"class_list":["post-832","post","type-post","status-publish","format-standard","hentry","category-electric-guitar","category-musicians"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pafaYH-dq","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts\/832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=832"}],"version-history":[{"count":1,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts\/832\/revisions"}],"predecessor-version":[{"id":833,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts\/832\/revisions\/833"}],"wp:attachment":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}