{"id":730,"date":"2022-10-19T14:33:29","date_gmt":"2022-10-19T19:33:29","guid":{"rendered":"https:\/\/nassaubaymusiclessons.com\/?p=730"},"modified":"2022-10-19T14:33:29","modified_gmt":"2022-10-19T19:33:29","slug":"the-divine-origin-of-music-and-flute-in-greek-mythology","status":"publish","type":"post","link":"https:\/\/nassaubaymusiclessons.com\/?p=730","title":{"rendered":"The divine origin of music and flute in Greek Mythology"},"content":{"rendered":"<header class=\"entry-header\">\n<h3 class=\"post-title\" style=\"text-align: center;\">The divine origin of music and flute in Greek Mythology<\/h3>\n<\/header>\n<div class=\"entry-content\">\n<div class=\"postmeta\">\n<div class=\"clear\"><\/div>\n<\/div>\n<div class=\"post-thumb\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/raphaelparnassusd1.jpg?w=525&#038;ssl=1\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/raphaelparnassusd1.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/raphaelparnassusd1.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/raphaelparnassusd1.jpg?resize=768%2C510&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/raphaelparnassusd1.jpg?resize=600%2C398&amp;ssl=1 600w\" alt=\"\" data-lazy-loaded=\"1\" \/><\/div>\n<h2>by Yulia Berry<\/h2>\n<p>The ancient Greeks thought music was of divine origin. The gods and Muses were connected with music, and some even invented musical instruments: the lyre by Hermes or Apollo, the simple flute by Athene, the shepherd\u2019s flute by Pan.<\/p>\n<p>The Greeks cultivated music at a very early epoch. They used it not only for entertainment and all kinds of events, but also gave it a great importance in refining the feelings and building the character. Numerous myths tell us how powerful the music can be. (Remember the beautiful and sad myth of Orpheus and Euridice?)<\/p>\n<p>At the public festivals, such the Pythian games the Greeks also held music contests. Athens, the home of Greek dramatic poetry, in its golden age was the main city where professional musicians met each other.\u00a0Public concerts became common towards the end of the Republic and formed a part of the musical contests.\u00a0By the time of the Persian Wars the music got to its highest point of the development, which completed the ancient system.<\/p>\n<p>Dancing and music entertainment became common at the meals of aristocratic families. Younger family members took instruction in these arts, as it was a part of higher education.<\/p>\n<p>It\u2019s interesting to note that the flute playing was limited to certain occasions, as its sound seemed to the ancients to <em>arouse enthusiasm and passion [Aristotle, Politics, viii 3]<\/em>.\u00a0 For example, dramatic music was introduced with the Greek Drama, but limited to flute-playing.<\/p>\n<p>Let\u2019s review some mentions to flute and music in Greek mythology.<\/p>\n<h4>Euterpe<\/h4>\n<p>Euterpe is one of the nine muses, fathered by Zeus. All the muses were assigned various roles and Euterpe became Muse of Music and Lyric Poetry. She is almost always depicted holding a flute.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1819 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=839%2C721&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=1024%2C881&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=300%2C258&amp;ssl=1 300w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=768%2C661&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=600%2C516&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=70%2C60&amp;ssl=1 70w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?resize=105%2C90&amp;ssl=1 105w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Screenshot_20210607-114245_Google.jpg?w=1080&amp;ssl=1 1080w\" alt=\"\" width=\"839\" height=\"721\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Eustache Lesueur 1626-1656 Paris Clio, Euterpe et Thalie 1655 Louvre.<\/strong><\/figcaption><\/figure>\n<p>Composers often drew inspirarion from the Greek myphology. Below are a few pieces that any flutist, who loves myphology, can add to their repertoire:<\/p>\n<p><a title=\"https:\/\/www.halleonard.com\/product\/50490207\/euterpes-caprice\" href=\"https:\/\/www.halleonard.com\/product\/50490207\/euterpes-caprice\"><strong>Euterpe by Augusta Read Thomas. <\/strong><\/a>A two-minute fanfare composed in 2008.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Euterpe's Caprice for Solo Flute\" src=\"https:\/\/www.youtube.com\/embed\/JjeW_nwdwBs?feature=oembed\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p><strong><a title=\"https:\/\/www.jwpepper.com\/Euterpe%3A-Greek-Muse-of-Music\/10590187.item#.YLKTcFMpBPx\" href=\"https:\/\/www.jwpepper.com\/Euterpe%3A-Greek-Muse-of-Music\/10590187.item#.YLKTcFMpBPx\" target=\"_blank\" rel=\"noreferrer noopener\">Euterpe: Greek Muse of Music\u00a0by Kevin Kaisershot. <\/a><\/strong>Composed in a moderate 4\/4 time, the flute soloist gets a chance to show their technical ability intertwined with ornamentation in a light and lilting melody.<\/p>\n<h4>Athena<\/h4>\n<p>The goddess Athena was the goddess of wisdom, strategy in warfare, and crafts. She was the patroness of the city of Athenes and helped Greek heroes, such as Hercules and Odysseus on their adventures.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1826 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/icowfcs2hmkpjwfili0y.jpg?resize=839%2C1032&amp;ssl=1\" alt=\"\" width=\"839\" height=\"1032\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><\/figure>\n<p>Athene invented the flute, but discarded it after discovering that her face is distorted while playing.<\/p>\n<p>Hyginus included a great story about Athena\u2019s flute in his book, written in Latin around 300-400 A.D.<\/p>\n<blockquote class=\"wp-block-quote\"><p>\u201cThey say that (Athena) was the first to fashion a flute out of deer-bone. She came to the gods\u2019 banquet table to play it, but (Hera) and (Aphrodite) made fun of her because she turned blue and puffed out her cheeks.\u201d<\/p><\/blockquote>\n<p>Athena ran to a forest and tried to play it again by herself. Suddenly she caught her reflection in a stream and realized that her fellow goddesses were right.<\/p>\n<blockquote class=\"wp-block-quote\"><p>\u201cThere was every reason for them to poke fun at her,\u201d wrote Hyginus.<\/p><\/blockquote>\n<p>Athena got so upset that she threw out the flute and cursed it. The curse would severely punish anyone who picks up the flute.<\/p>\n<p>The satyr Marsyas found the discarded instrument and learned how to play it.<\/p>\n<h4>Marsyas<\/h4>\n<p>Marsyas became so skilled in flute playing that he challenged Apollo, the god of music (!), to a musical duel! It was judged by the Muses and King Midas (who later got the golden touch). The terms of the duel stated that the winner could treat the defeated side any way he wanted.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1830 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/39887643413_1b07a628c2_k.jpg?resize=839%2C1116&amp;ssl=1\" alt=\"\" width=\"839\" height=\"1116\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><\/figure>\n<p>First, Marsyas played such a wild and coaxing tune that the birds hopped from the trees to get near, the animals came up closer, and the trees swayed as if they wanted to dance. Then, all living creatures started dancing wildly, and Midas thought it was the sweetest music in the world.<\/p>\n<p>When it got to his turn, Apollo rose, holding a golden lyre in his hands. He touched the strings of the lyre, and suddenly the music mesmerized them all. Never before gods or mortals heard anything as beautiful and emotional as Apollo\u2019s music. The wild creatures stood still, the trees kept every leaf from rustling, and the earth and air went utterly silent. When Apollo stopped playing, it took some time for the spell of his music to break. Finally, the listeners fell at Apollo\u2019s feet and proclaimed him the winner.<\/p>\n<p>All but Midas, who alone would not admit that the music was better than Marsyas. \u201cIf thine ears are so dull, mortal,\u201d said Apollo, \u201cthey shall take the shape that best suits them.\u201d<\/p>\n<p>Apollo touched the ears of Midas, and they turned into the donkey ears.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1832 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=1024%2C598&amp;ssl=1\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=1024%2C598&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=300%2C175&amp;ssl=1 300w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=768%2C448&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=1536%2C896&amp;ssl=1 1536w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=600%2C350&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=103%2C60&amp;ssl=1 103w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?resize=154%2C90&amp;ssl=1 154w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/43681356552_f4c8d811a5_k.jpg?w=2048&amp;ssl=1 2048w\" alt=\"\" width=\"1024\" height=\"598\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Karel van Mander, 1548-1606, Amsterdam. Landscape with the Judgment of Midas.\u00a0<\/strong><\/figcaption><\/figure>\n<p>However, several versions tell us more about how it all went at the end.<\/p>\n<p>The most notable are found in <em>Diodorus Siculus\u2019 Library of History, Hyginus\u2019 Fabulae, 165, Pseudo-Apollodorus\u2019 Bibliotheke i.4.2, and Pliny\u2019s Natural History 16.89.\u00a0<\/em><\/p>\n<p>According to <em>Hyginus<\/em>, Marsyas was departing as the victor after the first round, when Apollo turned his lyre upside down and played the same tune. Marsyas could not do with his flute, so he succumbed.<\/p>\n<p>According to <em>Diodorus Siculus<\/em>, who admired Marsyas for his intelligence and self-control, he was defeated when Apollo started singing along playing the lyre. Marsyas protested, arguing that it is not fair because he can\u2019t sing while playing the flute. However, Apollo replied that by blowing into the flute, Marsyas was doing almost the same thing himself. Thus, the Muses supported Apollo and announced his victory.<\/p>\n<p>Yet another version states that Marsyas played the flute out of tune! Out of shame, he accepted the defeat and Apollo\u2019s punishment, which was absolutely cruel. Apollo had the satyr strung up by a tree and flayed alive. The legends describe how his skin was nailed to a pine tree and moved joyfully when a flute was played.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1835 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/49481769633_300f8a3635_k.jpg?resize=839%2C1118&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/49481769633_300f8a3635_k.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/49481769633_300f8a3635_k.jpg?resize=600%2C801&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/49481769633_300f8a3635_k.jpg?resize=45%2C60&amp;ssl=1 45w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/49481769633_300f8a3635_k.jpg?resize=67%2C90&amp;ssl=1 67w\" alt=\"\" width=\"839\" height=\"1118\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Guido Reni, 1575-1642, Bologna. Apollo flaying Marsyas, 1633<\/strong><\/figcaption><\/figure>\n<p>Marsyas\u2019 brothers, nymphs, gods, and goddesses mourned his death. Their tears, according to Ovid\u2019s Metamorphoses, were the source of the river Marsyas in Phrygia, which today is called \u00c7ine Creek. A bridge on the river Marsyas, built towards the end of the Roman period, is still called by the satyr\u2019s name, Marsyas.<\/p>\n<p>The contest symbolizes the eternal struggle between two aspects of human nature and has been a favorite subject in art.<\/p>\n<p>Paintings taking Marsyas as a subject also include \u201cApollo and Marsyas\u201d by Michelangelo Anselmi (c. 1492 \u2013 c.1554), \u201cThe Flaying of Marsyas\u201d by Jusepe de Ribera (1591\u20131652), the Flaying of Marsyas by Titian (c. 1570\u20131576) and \u201cApollo and Marsyas\u201d by Bartolomeo Manfredi (St. Louis Art Museum).<\/p>\n<p>There are beautiful music compositions that will make a great addition to any flutist repertoir:<\/p>\n<p><strong><a title=\"https:\/\/imslp.org\/wiki\/Suite_Mythologique_(Lorenzo%2C_Leonardo_de)\" href=\"https:\/\/imslp.org\/wiki\/Suite_Mythologique_(Lorenzo%2C_Leonardo_de)\" target=\"_blank\" rel=\"noreferrer noopener\">Leonardo Lorenzo, Mythological Suite <\/a><\/strong> <em>Suite mitologica, for flute, op. 38<\/em> has three parts: <em>Pan<\/em>, <em>Marsyas<\/em> and <em>Apollo<\/em>.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Marsyas\" src=\"https:\/\/www.youtube.com\/embed\/Yf9K3n-PSog?feature=oembed\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p>Lorenzo (1875-1962) was an Italian virtuoso flutist, composer for the flute repertoire, researcher and prominent flute pedagogue. Among his students was Julius Baker. He was a soloist of the New York Philharmonic Orchestra, directed by Gustav Mahler and had a very successful flute career.<\/p>\n<h4>Pan and Syrinx<\/h4>\n<p>One of the most famous myths about Pan told us about the origin of his pan flute. A pan flute is also known as panpipes or Syrinx. It consists of multiple pipes without lateral holes, which are fastened together and gradually increasing in length. The pipes are typically made from local reeds, giant cane, or bamboo. Other materials include wood, plastic, metal, and ivory.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Ancient Music - Pan Flute (Syrinx) by Giannis Pantazis\" src=\"https:\/\/www.youtube.com\/embed\/OLlYgG6AE3I?feature=oembed\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p>Pan was the god of the wild and patron of shepherds. He was half-goat and half-man. The Romans identified Pan with the Italian Faunus.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1846 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=839%2C629&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=600%2C450&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?resize=120%2C90&amp;ssl=1 120w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/9955272_91c48c7b76_k-1.jpg?w=2048&amp;ssl=1 2048w\" alt=\"\" width=\"839\" height=\"629\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><\/figure>\n<p>Ovid included the story of Pan and Syrinx in Book One of the Metamorphoses.<\/p>\n<p>The story begins when Pan fell in love with a nymph named Syrinx.\u00a0One day while romping through the forest of Arcadia, Pan saw a beautiful nymph Syrinx, a daughter of the River God, Ladon.\u00a0Pan immediately felt a desire and determination to have the beautiful nymph for himself.\u00a0Syrinx was used to being pursued because her incredible beauty brought her lots of unwanted attention from both gods and men.\u00a0Syrinx was a skilled huntress who could move fast through a forest and could endure a long run. She could easily elude her pursuers in the past, but unfirtunately not this time.\u00a0Unlike the other men, Pan was able to run for long periods of time through the forests and mountains without tiring. He chased Syrinx for days through the hills, mountains, forests and valleys of Arcadia.\u00a0Syrinx was exhausted and desperate to escape Pan\u2019s chase. She ran to the river, where she begged her father, river god Ladon to help her.\u00a0A moment before Pan\u2019s grasp, she was turned into wild marsh reeds.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1844 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=839%2C490&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=1024%2C599&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=300%2C175&amp;ssl=1 300w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=768%2C449&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=1536%2C899&amp;ssl=1 1536w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=600%2C351&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=103%2C60&amp;ssl=1 103w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?resize=154%2C90&amp;ssl=1 154w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/46850843112_0511730045_k-1.jpg?w=2048&amp;ssl=1 2048w\" alt=\"\" width=\"839\" height=\"490\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Syrinx by Rubens, Peter Paul; 1577\u20131640, and Brueghel, Jan the Younger; 1601\u20131687.<br \/>\n\u201cLandscape with Pan and Syrinx\u201d, undated.<\/strong><br \/>\n<em>(Figures painted by Rubens, landscape and birds by Brueghel)<\/em><\/figcaption><\/figure>\n<p>Enraged, Pan smashed the marsh reeds into pieces. As he sat at the river bank distraught over his lost \u201clove,\u201d the wind picked up and blew through the broken reeds. It made a magical sound, which reminded Pan the sweet melody of Syrinx\u2019s voice.\u00a0Desperate to hear her voice again, Pan gathered nine different sizes of broken marsh reeds, tied them together in a line from smallest to largest, and named the instrument Syrinx in honor of his reluctant love.<\/p>\n<p>In the end, Pan got what he wanted \u2013 he never spent a day without his love.<\/p>\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2075 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/pan-playing-his-pipes-walter-crane.jpg?resize=839%2C986&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/pan-playing-his-pipes-walter-crane.jpg?w=743&amp;ssl=1 743w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/pan-playing-his-pipes-walter-crane.jpg?resize=255%2C300&amp;ssl=1 255w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/pan-playing-his-pipes-walter-crane.jpg?resize=600%2C706&amp;ssl=1 600w\" alt=\"\" width=\"839\" height=\"986\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Pan playing his pipes by Walter Crane, 1883<\/strong><\/figcaption><\/figure>\n<p>The legend inspired some of the greatest composers to write incredibly beautiful music and flute solos.<\/p>\n<p><strong>Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune by Claude Debussy<\/strong><\/p>\n<p>In 1894 Claude Debussy wrote a beautiful symphonic<em> poem Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/em> (Prelude to the Afternoon of a Faun). It is based on the poem by the famous French poet Stephan\u00e9 Mallarme.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Debussy Pr\u00e9lude \u00e0 l'apr\u00e8s-midi d'un faune - Leonard Bernstein\" src=\"https:\/\/www.youtube.com\/embed\/EvnRC7tSX50?feature=oembed\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p>At the premiere in Paris, the flute solo was played by Georges Barr\u00e8re.<\/p>\n<p>Gustave Doret, the conductor who premiered the piece wrote in his memoirs, <em>Temps et contretemps, 1942: <\/em><\/p>\n<blockquote class=\"wp-block-quote\"><p>\u201cThere was a vast silence in the hall as I ascended to the podium and our splendid flutist, Barr\u00e8re, unfolded his opening line. All at once I felt behind me, as some conductors can, an audience that was totally spellbound. It was a complete triumph, and I had no hesitation in breaking the rule forbidding encores.\u201d<\/p><\/blockquote>\n<p>Composer and conductor Pierre Boulez even declared that<\/p>\n<blockquote class=\"wp-block-quote\"><p>\u201cthe flute of the faun brought new breath to the art of music.\u201d<\/p><\/blockquote>\n<p>There are many available arrangements for flutists who would like to perform the solo at concerts.<\/p>\n<p><strong>Syrinx by Claude Debussy<\/strong><\/p>\n<p>In 1913 Debussy wrote a piece for solo flute <em>Syrinx<\/em>, expressing Pan\u2019s sadness over losing his love. The work became incredibly popular and is an indispensable part of any flutist\u2019s repertoire.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Debussy: Syrinx \/ Andreas Blau\" src=\"https:\/\/www.youtube.com\/embed\/k-WGumWZTCE?feature=oembed\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p><strong>La Fl\u00fbte De Pan, op.15 by J.Mouquet<\/strong><\/p>\n<p>In 1904 Jules Mouquet composed sonata <em>La Fl\u00fbte De Pan, op.15 <\/em>for flute and piano. It includes Pan et les Bergers, Pan et les Oiseaux and Pan et les Nymphes. There is also a version for flute and orchestra.\u00a0 The sonata is dedicated to French flutist and teacher L\u00e9opold Jean Baptiste Lafleurance, who had been a student of Paul Taffanel.\u00a0Jules Mouquet taught at the Conservatoire de Paris in the early 1900s as a professor of harmony and composition.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"J. Mouquet: La flute de Pan. I. Pan et les bergers (Mathieu Dufour, flute)\" src=\"https:\/\/www.youtube.com\/embed\/p-TBY7R4q_o?feature=oembed\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p><strong><a title=\"https:\/\/www.sheetmusicplus.com\/title\/bourdin-chanson-de-pan-flute-solo-book-sheet-music\" href=\"https:\/\/www.sheetmusicplus.com\/title\/bourdin-chanson-de-pan-flute-solo-book-sheet-music\" target=\"_blank\" rel=\"noreferrer noopener\">Bourdin, Chanson De Pan<\/a><\/strong>, Flute Solo piece (1968)<\/p>\n<p>Roger Bourdin (1923-1976) was a French flutist. He was a professor at the Versailles conservatory. He founded a flute quartet with Pol Mule,\u00a0Jean-Pierre Rampal\u00a0and Eug\u00e8ne Masson in 1945. Bourdin had a successful carrier as a performer, teacher and conductor.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"La chanson de Pan\" src=\"https:\/\/www.youtube.com\/embed\/-5gQ7XTghFE?feature=oembed\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p><strong><a title=\"https:\/\/www.sheetmusicplus.com\/title\/pour-syrinx-flute-piano-sheet-music\/\" href=\"https:\/\/www.sheetmusicplus.com\/title\/pour-syrinx-flute-piano-sheet-music\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jacques Charpentier: Pour Syrinx (Flute &amp; Piano)<\/a><\/strong><\/p>\n<p>Jacques Charpentier (1933-2017) was a French composer and organist. <em>Pour Syrinx<\/em> was published in 2002.<\/p>\n<h4>Daphnis<\/h4>\n<p>In Greek mythology, Daphnis was a Sicilian shepherd who was the son of Hermes and a nymph who created the genre of pastoral poetry and was taught by Pan to play the shepherd\u2019s flute. In the later legends, he was named a teacher of Marsyas.<\/p>\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2074 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Naples_-_Pan_and_Daphne.jpg?resize=839%2C1126&amp;ssl=1\" alt=\"\" width=\"839\" height=\"1126\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Pan teaching Daphnis to play the flute<\/strong><\/figcaption><\/figure>\n<p>In the second century A.D., Greek novelist Longus wrote Daphnis and Chloe. The story tells us about a girl and a boy, abandoned at birth and brought up by shepherds. They fall in love at an early age, but soon get kidnapped and separated. After several adventures, they reunited.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1857 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o.jpg?resize=768%2C1024&amp;ssl=1\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o-scaled.jpg?resize=600%2C800&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/2875749193_4c2e44dda0_o-scaled.jpg?w=1920&amp;ssl=1 1920w\" alt=\"\" width=\"768\" height=\"1024\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>\u201cDaphnis et Chlo\u00e9\u201d by Baron Fran\u00e7ois G\u00e9rard, 1824-1825<\/strong><\/figcaption><\/figure>\n<p>Maurice Ravel\u2019s ballet Daphnis et Chlo\u00e9 (1912) refers to Pan and Syrinx\u2019s story. Pan is described throughout a flute solo after he appears to rescue Chlo\u00e9 from pirates. At the banquette in his honor, he plays a passionate and tender melody, remembering Syrinx, while Chlo\u00e9 dances.\u00a0The flute solo became one of the most important solos in the flute orchestral repertoire and is often included in audition requirements.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Magali Mosnier plays the solo of flute from Ravel's Daphnis et Chlo\u00e9\" src=\"https:\/\/www.youtube.com\/embed\/VRS48f5tj_c?feature=oembed\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p>There is an arrangement for flute and piano <a title=\"https:\/\/musescore.com\/baltazarflute\/scores\/6295043\" href=\"https:\/\/musescore.com\/baltazarflute\/scores\/6295043\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Daphnis et Chloe, Suite no.2<\/strong><\/a> and more various arrangements for flute ensembles on the same website.<\/p>\n<h4>Orpheus and Eurydice<\/h4>\n<p>Ovid opened the Book 10 of Metamorphoses with one of the greatest and most enduring stories of Orpheus and Eurydice.<\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1927 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Ary_Scheffer_-_Orpheus_Mourning_the_Death_of_Eurydice_1814.jpg?resize=839%2C1055&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Ary_Scheffer_-_Orpheus_Mourning_the_Death_of_Eurydice_1814.jpg?w=794&amp;ssl=1 794w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Ary_Scheffer_-_Orpheus_Mourning_the_Death_of_Eurydice_1814.jpg?resize=238%2C300&amp;ssl=1 238w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Ary_Scheffer_-_Orpheus_Mourning_the_Death_of_Eurydice_1814.jpg?resize=768%2C966&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Ary_Scheffer_-_Orpheus_Mourning_the_Death_of_Eurydice_1814.jpg?resize=600%2C755&amp;ssl=1 600w\" alt=\"\" width=\"839\" height=\"1055\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Ary Scheffer (1795\u20131858), Orpheus Mourning the Death of Eurydice (c 1814)<\/strong><\/figcaption><\/figure>\n<p>Orpheus\u00a0loses\u00a0the love of his life\u00a0Eurydice\u00a0after she\u00a0is bitten by\u00a0a poisonous\u00a0snake.\u00a0He mourns his loss and the whole world mourns with him. Heartbroken and desperate, he starts\u00a0begging Hades,\u00a0the god of\u00a0the underworld\u00a0to give her\u00a0back.\u00a0Moved by\u00a0his love\u00a0Hades\u00a0agrees\u00a0to this, but with one condition:\u00a0he\u00a0must not\u00a0look back\u00a0to his beloved before they are\u00a0safe together again in the world\u00a0of men.<\/p>\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1905 jetpack-lazy-image jetpack-lazy-image--handled\" src=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?resize=839%2C522&amp;ssl=1\" sizes=\"auto, (max-width: 839px) 100vw, 839px\" srcset=\"https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?resize=300%2C187&amp;ssl=1 300w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?resize=768%2C478&amp;ssl=1 768w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?resize=600%2C373&amp;ssl=1 600w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?resize=96%2C60&amp;ssl=1 96w, https:\/\/i0.wp.com\/thebabelflute.com\/wp-content\/uploads\/2021\/06\/Edward_Poynter_-_Orpheus_and_Eurydice.jpg?resize=145%2C90&amp;ssl=1 145w\" alt=\"\" width=\"839\" height=\"522\" data-recalc-dims=\"1\" data-lazy-loaded=\"1\" \/><figcaption><strong>Edward Poynter (1836\u20131919), Orpheus and Eurydice (1862)<\/strong><\/figcaption><\/figure>\n<p>He\u00a0fails at\u00a0the end, and loses\u00a0Eurydice this time forever.<br \/>\nAfter three\u00a0years a group\u00a0of female worshipers of god Dionysys, called Maenads,\u00a0blind\u00a0hatred,\u00a0teared him alive\u00a0to pieces for refusing to entertain them while mourning the loss of his wife. His soul\u00a0floats\u00a0down to\u00a0Hades, where\u00a0he is finally reunited with\u00a0Eurydice.<\/p>\n<p><strong>Dance of the Blessed Spirits<\/strong><\/p>\n<p>In 1762 Christoph\u00a0Willibald\u00a0Gluck wrote\u00a0opera\u00a0<em>Orfeo\u00a0ed Euridice<\/em>. It was\u00a0the first of\u00a0Gluck\u2019s\u00a0\u201creform\u201d operas\u00a0in\u00a0which he\u00a0attempted to replace the\u00a0complex music\u00a0and plot\u00a0from the traditional\u00a0\u2018opera\u00a0seria\u2019 for more\u00a0clean\u00a0and simpler\u00a0structure.<br \/>\nSince the\u00a0premiere happened\u00a0for the birthday of\u00a0Emperor\u00a0Franz\u00a0of\u00a0Austria,\u00a0Gluck\u00a0was forced\u00a0to\u00a0change the\u00a0bloodthirsty\u00a0end.<\/p>\n<p>In 1774 Gluck revised the score for a production by the Paris Opera and included a ballet part <em>Dance of the blessed spirits<\/em>, which contains\u00a0a famous\u00a0flute\u00a0solo.<\/p>\n<p>Hector Berlioz wrote in his Treatise on Instrumentation (1843):<\/p>\n<blockquote class=\"wp-block-quote\"><p>\u201cWhen listening to the D-minor melody of the pantomime in the Elysian-Fields scene in Orfeo, one is immediately convinced that only a flute could play this melody appropriately\u2026 The voice starts almost inaudibly, seeming afraid to be overheard; then it sighs softly and rise to the expression of reproach, of deep pain, to the cry of a heart torn by incurable wounds; gradually it sinks into a plaint, a sigh, and the sorrowful murmur of a resigned soul. Gluck was, indeed, a great poet!\u201d<\/p><\/blockquote>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Gluck, Danza degli Spiriti Beati\" src=\"https:\/\/www.youtube.com\/embed\/mwrxsJrMunA?feature=oembed\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p>The flute repertoire has more beautiful pieces, based on Greek mythology.<\/p>\n<p><strong><a title=\"https:\/\/thebabelflute.com\/product\/polymnia-e-tersicore-by-onorio-zaralli\/\" href=\"https:\/\/thebabelflute.com\/product\/polymnia-e-tersicore-by-onorio-zaralli\/\" target=\"_blank\" rel=\"noreferrer noopener\">Polymnia e Tersicore for Solo Flute by Onorio Zaralli<\/a><\/strong><\/p>\n<p>Polymnia is the Muse of sacred poetry, sacred hymn, dance, and eloquence as well as agriculture and pantomime. Tersicore (Terpsicore) is one of the nine Muses and goddess of dance and chorus.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Polimnia e Tersicore\" src=\"https:\/\/www.youtube.com\/embed\/i-Ga2JKcJp8?feature=oembed\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/figure>\n<p><a title=\"https:\/\/thebabelflute.com\/product\/nymphae-by-onorio-zaralli\/\" href=\"https:\/\/thebabelflute.com\/product\/nymphae-by-onorio-zaralli\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The Nymphs by Onorio Zaralli<\/strong><\/a><strong> for piccolo and three flutes. <\/strong><\/p>\n<p>Different from other goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are beloved by many and dwell in mountainous regions and forests by springs or rivers.<br \/>\nOther nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, generally the huntress Artemis.<br \/>\nNymphs tended to frequent areas distant from humans but could be encountered by lone travelers outside the village, where their music might be heard, and the traveler could spy on their dancing or bathing in a stream or pool, either during the noon heat or in the middle of the night. Nymphs were the frequent target of satyrs.<\/p>\n<p>I hope this article made you inspired to dive into the incredibly beautiful, dramatic and intense world of Greek Mythology and explore the available flute repertoire.<\/p>\n<hr class=\"wp-block-separator\" \/>\n<p>&nbsp;<\/p>\n<h3 class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio\">Yulia Berry<\/h3>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The divine origin of music and flute in Greek Mythology by Yulia Berry The ancient Greeks thought music was of divine origin. The gods and Muses were connected with music, and some even invented musical instruments: the lyre by Hermes or Apollo, the simple flute by Athene, the shepherd\u2019s flute by Pan. The Greeks cultivated &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/nassaubaymusiclessons.com\/?p=730\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The divine origin of music and flute in Greek Mythology&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-730","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pafaYH-bM","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts\/730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=730"}],"version-history":[{"count":1,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts\/730\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=\/wp\/v2\/posts\/730\/revisions\/731"}],"wp:attachment":[{"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nassaubaymusiclessons.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}