The Apprehension Engine: An Instrument Designed to Play the Music of Nightmaresby Kate Sierzputowski on June 26, 2017
Movie composer Mark Korven wanted to craft the perfect sounds for horror movies, but the instruments he needed didn’t exist, and he was tired of using the same digital samples. To produce the original effects needed for evoking breathtaking moments of suspension, he teamed up with guitar maker Tony Duggan-Smith to craft an original instrument that would better aid in manufacturing fear. The Apprehension Engine is that tool, a mechanism built with several bowed metal rulers, spring reverbs, a few long metal rods, and other attachments that allow for spooky interludes and effects.
“A normal instrument, you are playing it and expecting it to have a sound that is pleasing,” said Korven to Great Big Story, “but with an instrument like this, the goal is to produce sounds, that in this case, are disturbing.”
The Apprehension Engine expresses the emotions that cannot be expressed in other ways, triggering fear with intense sonic methods. You can listen to more music by the machine tuned to provoke horror in the video below. (via Great Big Story)
The True Story Of The Fake Zombies, The Strangest Con In Rock History
In 1969, the Zombies had a huge hit single, despite having broken up two years earlier. To meet the unexpected demand, one promoter did the only sensible thing: Hire four kids from Texas to tour America pretending to be a defunct British psych-rock band, by Daniel Ralston
Chris White shakes his head and laughs when I show him the first photo. At 73, the bassist and songwriter for the reunited British psych-rock band the Zombies looks like a cool grandpa in black pants, blue dress shirt, and polar fleece vest — a sharp contrast from his septuagenarian bandmates who still sport leather jackets and tight pants. He adjusts his glasses and studies the image of four flamboyantly dressed young men taken in 1969. We are backstage at the Saban Theatre in Beverly Hills last October and after this brief intermission, White will join the rest of the band onstage to play the band’s cult classic 1967 album Odessey and Oracle in its entirety.
Afgan girls fight extremism with the power of music
Zarifa Adiba loves music. In Afghanistan, that makes her a target..
In today’s video we’re going to talk about the cultural differences between Italy and USA when it comes to dating, specifically among young people! Be sure to let me know in the comments if you guys agree with me!
And her last comment should be… thank you USA for making this happen and sacrificing life and treasure so I can play my music….we will fight back from inside so your lives were not given in vane. Etc
While listening to music, neuroscientist Daniel Levitin, asks the questions “where do goose bumps come from?” and “what’s going on in my brain that allows the goosebumps to happen?” Levitin leads a group of researchers as they investigate music’s fundamental physical structure; its biological, emotional and psychological impact; its brain altering and healing powers and its role in human evolution. The Music Instinct: Science and Song, a fascinating two-hour documentary on the science of music, premieres Wednesday, June 24, 2009 at 9 p.m. (ET) on PBS (check local listings).
The Music Instinct: Science and Song is a production of THIRTEEN in association with WNET.ORG – one of America’s most prolific and respected public media providers.
Researchers and scientists from a variety of fields are using groundbreaking techniques that reveal startling new connections between music and the human mind, the body and the universe. Together with an array of musicians from rock and rap to jazz and classical, they are putting music under the microscope.
“The brain is teaching us about music and music is teaching us about the brain,” says Levitin.” Music allows us to understand better how the brain organizes information in the world. There are a lot of different factors that go into our emotional appreciation of music [like] the memories we have of a particular song that we heard at a particular time in our lives.”
Internationally renowned performers Bobby McFerrin and cellist Yo-Yo Ma describe the way musical intervals are used or combined to create melody and harmony. McFerrin, together with the “World Singers,” sing a cappella to demonstrate that basic elements of music; pitch, tempo, rhythm and melody create specific reactions in our brains. Yo-Yo Ma plays two notes and then five more notes and then plays different combinations that demonstrate the way musical intervals are combined to create a melody or harmony.
Percussionist Evelyn Glennie encounters music in a unique way, as fundamentally a “physical phenomenon.” Profoundly deaf, Glennie “hears” music not through her ears, but by feeling vibrations through the floor and in her body: low frequencies through her legs and feet; high sounds in particular spots on her face, neck and chest.
Rock stars Jarvis Cocker and Richard Hawley were asked to participate in a new experiment to reveal the difference in the brain when two people perform music together – as opposed to solo. Neuroscientists wonder how two brains interact since music is fundamentally a social activity. Cocker was asked to enter a fMRI machine, while Hawley played his guitar in the room. When the Scan was analyzed it showed a measurable difference in brain activity when Cocker sang alone compared to when he sang with Hawley playing guitar. During the duet, Cocker’s brain was more active in areas for phrasing and coordinating music as well as cognitive and emotional interaction.
Research also shows that music has enormous potential to help explore the complexities of human brain function. For example, there’s a strong connection between the auditory and motor regions of the brain, and music seems to engage the motor system in a way that other modalities do not. People with motor disorders like Parkinson’s disease have improved their ability to walk while listening to a rhythm track, and stroke patients who have trouble with speech show signs of improvement when they receive music therapy. And there’s new evidence that music can actually change the physical structure of the brain – a fact that has critical implications for both education and medicine. One thing is clear, proven and agreed upon; music has a profound capacity to influence and alter the human experience.
The start of the year is a great time to take on a new challenge. The pianist James Rhodes tells Clemency Burton-Hill how anyone can learn to play Bach in six weeks.
Is it ever too late to learn a musical instrument? According to the leading British concert pianist James Rhodes, the answer is an emphatic ‘no’ – and he has just written the book to prove it. The delightfully straight-talking How To Play the Piano is an elegant little volume that promises – with just 45 minutes’ practice a day, six days a week, for six weeks – to enable anyone with access to a keyboard to play one of JS Bach’s most beloved works, the Prelude no 1 in C major from Book One of The Well-Tempered Clavier. Continue reading →
Ancient Irish Musical History Found in Modern India
An archaeologist studying musical horns from iron-age Ireland has found musical traditions, thought to be long dead, are alive and well in south India.
The realization that modern Indian horns are almost identical to many iron-age European artefacts reveals a rich cultural link between the two regions 2,000 years ago, said PhD student Billy Ó Foghlú, from The Australian National University (ANU).
“Archaeology is usually silent. I was astonished to find what I thought to be dead soundscapes alive and living in Kerala today,” said the ANU College of Asia-Pacific student. Continue reading →
There is a playable violin make of black stone, called the Blackbird
The Blackbird is a full-size playable violin made of black diabase, based on designs by Antonio Stradivari (Stradivarius), but with technical modifications to allow it to be played. The violin was conceived and produced by the Swedish artist Lars Widenfalk.
The idea of constructing a musical instrument from stone came when Lars Widenfalk was working on big diabase blocks destined to form part of the artistic embellishment of the Norwegian TV building in Oslo. These blocks gave off a strikingly beautiful and strong sound during the work with hammer and chisel – it sang like an iron bell. It is also well-known among sculptors and geologists that different rock types have different sounds when being worked. Continue reading →
The Abode Home is a unique place where terminally ill patients are embraced and taken care of. It’s not a hospice, says the brochure, “but rather a home with a simple, welcoming, peaceful ambience for guests entering the last three months of life.”
The sprawling house is indeed peaceful, almost serene, as caregivers and volunteers go about their work with dedication and compassion. The reason I am visiting on this particular day is to witness a vigil by music thanatologist Deborah Marshall, the only such professional in the entire state of Texas. Joined by Abode’s director, Martha Jo Atkins, the two of us tiptoe into a room where Carla, a lung cancer patient, is lying in bed in a rather agitated state, with her grieving father watching tenderly over her. Marshall sets up her portable harp, introduces herself to Carla, who is not fully conscious, and after a few quiet moments, starts plucking the strings with a gentle touch. It takes a little while, but Carla eventually relaxes and her nervous movements subside. “It’s magical,” whispers Atkins. The sound of the harp in the darkened room ends up casting a spell over all of us. Continue reading →
Yesterday, Koko the gorilla had a visit from her friend Flea, the bassist from the Red Hot Chili Peppers, who brought along his Fender bass and Galean Kruger to play some music with the old girl. After watching him intently for a few moments, she tentatively reached for the instrument and began imitating Flea’s movements. Its pretty obvious that she’s instinctively entranced by the ability to produce sound with her hands, but how much of this is merely a primate “aping” observed behavior and how much is actual nonverbal communication or cognition? Continue reading →